Favorite Power Ballads From 1988-1992

Loudwire put out their best power ballads of all time that don't suck. I don't think they understand what a power ballad is.

Before I saw that article, this happened. I'm a big college football fan and Andy Staples, who writes for Sports Illustrated about college football, has a column every Monday which includes a "Random Ranking". Via Twitter, I asked Staples if he'd ever done a random ranking on power ballads between 1988 and 1992. He replied that it would be in this week's column, You'll need to scroll past the football stuff to get to it if you're not a fan.

Why 1988 to 1992? Because that was power ballad prime and power ballad hell, concurrently. Then Nirvana blew the whole thing to shreds.

What follows are my Top 10 Favorites. Notice I didn't say "best". That's subjective. "Favorites" lets you know that it's subjective.

1. "I Remember You", Skid Row. This song perfected what the power ballad is supposed to be. A tame, acoustic opening. Hints of power in the verses. A bombastic, memorable chorus. The ramp up in the bridge before the guitar solo. Bring it down for the third verse before blowing out the final choruses with Sebastian Bach's soaring vocals.



2. "House of Pain", Faster Pussycat. Harmonica intro into acoustic verse. This one may not fit the classic definition because it actually has some real meaning behind the lyrics. Taime Down has, shall we say, an interesting voice. But it has the memorable chorus. Tasty electric guitar solo. It doesn't have the signature bridge. What can I say, it's one of my favorites and it's my list.



3. "Ballad of Jayne", L.A. Guns. Familiar acoustic start through the verse and chorus. This one, again, has more meaning behind it, being that it's about someone who has passed. Goes with the electric guitar solo. More subdued than others, before transitioning back to acoustic. And we get some strings towards the end.



4. "Heartbreak Station", Cinderella. I could probably put three Cinderella songs on this list, but I'm just going to stick with this one. Tom Keifer as a ballad writer is unmatched. You get the lap slide solo in this one. You get the piano ballad from "Don't Know What You Got" and the more pure power ballad in "Nobody's Fool", just to name a few.



5. "I Saw Red", Warrant. OK, I know most people, if they were to choose a Warrant song would choose "Heaven". Not me. This is just an old fashioned cheatin' song. And he's very nonchalant about it. He didn't see his face, but he saw hers and closed the door and now he's not going to love her anymore. So simple, yet so poignant. Then the bridge before the solo, we get the pain and anger.



6. "Close My Eyes Forever", Lita Ford and Ozzy Osbourne. I'm not sure if this may not be the best song on my list. But it fails to make the top stop on the spirit of the list because it has too many epic qualities. It's a great song, but a bit over-produced and over-dramatic, but I can't not include it.



7. "Love's A Loaded Gun", Alice Cooper. Hey, if Ozzy and Lita can get into the power ballad game, why not Alice? Of course Alice puts his own twisted twist on the power ballad by making it about a call girl that he's in love with/stalking?



8. "Something To Believe In", Poison. OK, I know, "Every Rose Has It's Thorn" is the popular choice. I don't know, I like my power ballads to have some substance. And besides this is the superior song.



9. "Fly To The Angels", Slaughter. I think Mark Slaughter oversings everything, but that's just him. It doesn't take away from the greatness of this song. Again, this song has some meaning to it. I don't know, maybe it's just me getting older, but mostly I'm not here for the superfluous. Don't get wrong, I still like my nonsense, but don't give me meaningless fluff.



10. "Love Of A Lifetime", Firehouse. This is not a great song. Why do I include this? Because this is the kind of schlock that killed an era and led to grunge. Not that I'm bitter or anything. Number 10 should always be a wildcard, right? Or make a point? The previous nine are good songs. This is just what happened.

More Substance Than Bro Country, More Country Than Sam Hunt

On Sirius the other day I heard the d.j. say that she had heard The Eagles would be considered “country” today. Which is funny ’cause I have recently been thinking about that. I loved The Eagles. They’ve dabbled in country for years. The truth: they would NOT get played today because they are “too traditional.”

 That quote came from the comments section on an article on the website Saving Country Music from a user identified only as Justin.

It got me to thinking that a lot of 80's hair metal power ballads are more country than what you hear on mainstream country radio today. So of course I went down that rabbit hole. And then I got stuck on Cinderella. At their core, Cinderella was really more of a blues rock/Southern rock band than a hair metal band. But they had the look and played the part. But the music told a different story.

I could mine ten songs from the Cinderella catalog that would make a more country album than you could get from taking ten songs from eight hours worth of mainstream country radio.

But I digress from the main point. Taking individual songs (and yes I know, that's cherry picking) from artists such as Cinderella, Motley Crue, Poison, Warrant, Faster Pussycat, Guns n' Roses, and L.A. Guns, just to name a few, you can find songs more country than anything Sam Hunt has done.

And here's the real kicker. While the demise of the glam/sleaze rock scene was mired in misogyny and shallowness, there is more substance to be found there than in the bro country scene. Want proof? Glad you asked. I made a Spotify playlist of songs with more substance than bro country and more country than Sam Hunt.

Granted, none of these songs are really country in the true sense of country music. It's more of an exercise than anything else. And yes, I have an affinity for 80's hard rock, what I grew up with.  And yeah, I took some liberties including KISS and a Lita Ford cover of an Alice Cooper song. It's my playlist.

If you Spotify, enjoy:

More Country Than 2014 Mainstream Country: Faster Pussycat

Yep 80's sleaze rockers Faster Pussycat with "House of Pain".

Don't Compare Bro-Country to Hair Metal

I've read/heard it many times: Bro-Country is country music's version of Hair Metal.

Well, a tweet from @FarceTheMusic sent me down a Cinderella (the band, not the book/movie) wormhole that ended with a thorough exploration of the music of my high school years.

The actual tweet: Cinderella's "Heartbreak Station" is one of my favorite alt-country ballads ever.

Of course I went back and listened. He's right. And that's what sent me down the wormhole. There are many Cinderella songs that are very country-tinged. But what other 80's Hard Rock bands were doing the same thing? Not exactly the same thing, but stuff that would be considered a different genre 25-30 years later.

Here is Cinderella's "Heartbreak Station".



Cinderella was always more hard blues rock than Hair Metal anyway. They, along with some of the others I will post just kind of go lumped into the category, fair or not. I could post a few more Cinderella songs here, but I want to diversify.

LA sleaze rockers put out some really good Americana type songs in the 80s. One I really like is Faster Pussycat's "House of Pain".



Another sleaze rock band with this type of song was LA Guns. "Ballad of Jayne" is a great song.



Even the ultimate Hair Metal band had several songs of substance. Here is Poison's "Something to Believe In".



Great White got pegged into the same Hair Metal category, but like Cinderella, they were always more bluesy hard rock. I had a hard time choosing which song of theirs to go with, but I chose "House of Broken Love".



Did I cherry pick? Of course I did. But these songs were all released as singles. I didn't dig deep into album cuts. I just get tired of people dismissing Hair Metal and now referring to it as "Butt Rock". It's 80s hard rock and lot of it stands the test of time. I admit, there was a bunch of crap, especially towards the end, but don't throw the baby out with the bathwater.

And everyone should be reading Farce the Music. Funny, snarky and fantastic.

Will There Ever Be a New Wave of Hard Rock?

I have been searching out new music that has in-your-face guitars, melodic vocals, good musicianship and is just a little over-the-top. Pretty much, 80's-style hard rock. I'm not talking about hair/glam/pop metal. Though I'm not dismissing that either. I'm talking about the hard rock that dominated the 80's with such acts as AC/DC, Scorpions, Motley Crue, the Cult, Guns 'N Roses, Bon Jovi, Whitesnake, Cinderella, etc.

There is some good stuff out there. And I have a theory as to why: Now is the first generation of musicians that have 80's hard rock as an influence. They are far enough removed from the atrocities that became of hard rock in general and hair metal specifically to be able to connect with the quality stuff that did exist. Also, they had parents who grew up with this music. And they have probably played with older musicians who played this type of music. It all rubs off.

I doubt there will ever be a new wave of hard rock, but for those of us that enjoy fun, loud guitar-driven rock, there is hope.

The members of Australia's Koritni, named after lead vocalist Lex Koritni (and let's just get this out of the way: horrible name) make no bones about naming Motley Crue, GnR, RHCP among others as influences. Listening to their most recent studio album Welcome to the Crossroads, the influences can't be denied. You can hear the Cult, Aerosmith, Tesla and the funk of RHCP or maybe more accurately, Extreme.

Million Dollar Reload, hailing from Northern Ireland, have definitely taken hold of the dirtier, sleazier side of the 80's rock scene. Reminiscent of Faster Pussycat, early GnR, L.A. Guns, but also holding onto an Aerosmith and AC/DC vibe. M$R knows how to write a hook as evidenced by songs such as "Wicked" and "Tatoos and Dirty Girls".

Unfortunately, I don't see this type of music taking hold in the United States anytime soon. But as long as there are thriving rock and metal communities in Europe and Australia, then we can at least get our hands on it.

Both of these bands bring the old sensibilities while not sounding dated, in my opinion. Judge for yourself.










Koritni on Amazon.

Million Dollar Reload on Amazon.

TheCheapSeats on Twitter.

12 (ish) Albums That Have Stayed With Me Over the Years

There's a thing going around on facebook right now, not real widespread from what I can tell, but it goes like this:

What 12 albums have stayed with you throughout the years? Not the best albums, not the most popular albums, but one's that have stuck with you.

I saw this and thought it would be hard to come up with 12 because I like to pick and choose my tracks. Then when I started thinking about the albums, 12 wasn't enough. But I'm gonna play and keep it at 12ish.

In no particular order:

1. "Appetite for Destruction" - Guns 'N Roses
Easy choice here. An iconic album of the times. I first heard Paradise City on a trip to the Metroplex on ZRock. Bought the cassette before I left. Made everyone I knew listen to it. The responses were mostly "Meh." Three or four months later, Sweet Child O' Mine was released as a single. Suddenly everyone owned a copy of Appetite. I can still listen to it in its entirety to this day. One of the few albums that I can.

2. "Operation: Mindcrime" - Queensryche
A concept album in the vein of "The Wall" and  "Tommy". By far the best Queensryche ever produced. "Empire" was more commercially successful, but "Mindcrime" was by far the better album. Saw Queensryche on the Empire headlining tour in which they performed the "Mindcrime" album in its entirety. Great listen from start to finish.

3. "Eagles Live" - Eagles
I really don't think it's fair to include any greatest hits or compilation albums on this list, but with this one, I can't help it. It's just that good.

4. "Moving Pictures" and "Rush" - Rush
This is where the "ish" comes in. When I first heard Tom Sawyer, I had to get the album it was from. It was like nothing I had heard before. So I got "Moving Pictures". It also has Red Barchetta, YYZ and Limelight. How can you go wrong with that?
After hearing that, I immediately delved into Rush, and went back to the beginning, which was the self-titled first album. "Rush" included the iconic song Working Man, which led them to getting signed to a major label.

5. "Bat Out of Hell" - Meatloaf
"I'm gonna hit the highway like a battering ram on a silver-black phantom bike"
The opening lyric to Bat Out of Hell. How can you not like that? Not necessarily a concept album, it does tell a story. And sonically, it was way ahead of its time.

6. "High 'n' Dry" - Def Leppard
Okay, I could have easily put "Pyromania" here. "Pyromania" is a great album. But "High 'n' Dry" is more raw and has better songs. Lady Strange and Bringin' On the Heartbreak highlight the album.

7. "Skid Row" -Skid Row
The fist Skid Row album is pure unadulterated glam without apologies. And it's fantastic. 18 and Life, Youth Gone Wild, Big Guns, Sweet Little Sister, I Remember You, etc. Good stuff. After the first album, they kind of lost me. But that first one.........sweet.

9. "Pieces of Eight" - Styx
I know, "Paradise Theater" is more popular. But This album rocked. It included the classics like Renegade and Blue Collar Man, but also had the exquisite album tracks Queen of Spades and Great White Hope.

10. "Mean Streak" - Y&T
No, these guys are not Summertime Girls.Yes, that was their biggest hit, but not in all representative of what they were about. Dave Meniketti along with Cinderella's Tom Keifer are probably the best combo lead vocalist/lead guitarist of the generation. Midnight in Tokyo is one of the best songs never heard. The entire album rocks.

11. "Bella Donna" - Stevie Nicks
Stevie was always good in Fleetwood Mac. A lot of people may beat me up for including this one while excluding Fleetwood Mac's "Rumors". I couldn't argue, but this is all Stevie. From the Edge of Seventeen to the duets with Don Henley (Leather and Lace) and Tom Petty (Stop Dragging My Heart Around) this album is a no skip listen.


12. "Faster Pussycat" - Fatster Pussycat
Could be dismissed as 80's L.A. sleaze/glam rock. But really they were much more than that. The songs were actually good and really blues based. They went off the rails in later albums, but the debut from them is still very listenable after all these years. Some of the stuff from the '80's glam rock scene sound dated. This album holds up.

Honorable Mentions
I have ended the list at 12 as per the original stipulations, but there are more I feel deserve mention.

"Allied Forces" - Triumph
"Powerslave" - Iron Maiden
The first two Boston albums

Those are the one's I grew up with that I still listen to. I may next tackle the current albums I'm enthralled with.