Album Spotlight: Tyler Bryant and the Shakedown

Tyler Bryant and the Shakedown's self-titled album is their fifth release and second full album. It's an eleven song piece of real hard rock, swampy, groovy, bluesy and guitar-heavy.

Tyler Bryant grew up in Texas and moved to Nashville during his senior year of high school. The Shakedown is comprised of drummer Caleb Crosby, bassist Noah Denney and guitarist Graham Whitford (son of Aerosmith guitarist Brad Whitford).

With this self-titled release, Tyler Bryant and the Shakedown seem to have found their niche, deftly combining the blues, swamp and heavy rock with a touch of Alice Cooper creepiness and Aerosmith (of course, right?). Sonically the album is great.

Vocally, well, Bryant doesn't have the best voice in the world, but it works. See the Alice Cooper reference above. His voice exudes the right emotion and passion on every song.

This is another great example that rock isn't dead if you want to find it.

Here is the official lyric video for "Heartland":



And here is a live acoustic version of my favorite song from the album "Ramblin' Bones":

Will There Ever Be a New Wave of Hard Rock?

I have been searching out new music that has in-your-face guitars, melodic vocals, good musicianship and is just a little over-the-top. Pretty much, 80's-style hard rock. I'm not talking about hair/glam/pop metal. Though I'm not dismissing that either. I'm talking about the hard rock that dominated the 80's with such acts as AC/DC, Scorpions, Motley Crue, the Cult, Guns 'N Roses, Bon Jovi, Whitesnake, Cinderella, etc.

There is some good stuff out there. And I have a theory as to why: Now is the first generation of musicians that have 80's hard rock as an influence. They are far enough removed from the atrocities that became of hard rock in general and hair metal specifically to be able to connect with the quality stuff that did exist. Also, they had parents who grew up with this music. And they have probably played with older musicians who played this type of music. It all rubs off.

I doubt there will ever be a new wave of hard rock, but for those of us that enjoy fun, loud guitar-driven rock, there is hope.

The members of Australia's Koritni, named after lead vocalist Lex Koritni (and let's just get this out of the way: horrible name) make no bones about naming Motley Crue, GnR, RHCP among others as influences. Listening to their most recent studio album Welcome to the Crossroads, the influences can't be denied. You can hear the Cult, Aerosmith, Tesla and the funk of RHCP or maybe more accurately, Extreme.

Million Dollar Reload, hailing from Northern Ireland, have definitely taken hold of the dirtier, sleazier side of the 80's rock scene. Reminiscent of Faster Pussycat, early GnR, L.A. Guns, but also holding onto an Aerosmith and AC/DC vibe. M$R knows how to write a hook as evidenced by songs such as "Wicked" and "Tatoos and Dirty Girls".

Unfortunately, I don't see this type of music taking hold in the United States anytime soon. But as long as there are thriving rock and metal communities in Europe and Australia, then we can at least get our hands on it.

Both of these bands bring the old sensibilities while not sounding dated, in my opinion. Judge for yourself.










Koritni on Amazon.

Million Dollar Reload on Amazon.

TheCheapSeats on Twitter.

Carrie Underwood, Miranda Lambert, and Genre Bending

If you read this blog at all, you know I don't really deal in negativity. Especially when it comes to my music posts. I like to feature good stuff that I've found. But what happened at the Billboard Music Awards Sunday night bears comment.

I'm talking about the Carrie Underwood/Miranda Lambert 70's Aerosmith/bad anthem mashup. It was, quite frankly, poor execution of a less-than-mediocre song. "Something Bad", it was. Don't believe me? Here's some video proof. Judge for yourself.



Don't get me wrong. I like both Carrie and Miranda. I'm just disappointed that this is what they came up with in collaboration. It's beneath both of them.

But that brings me to a bigger subject. This is a rock song. At least what I grew up knowing as rock. Not that there is anything inherently wrong with that. In fact 70's, 80's and 90's style rock and pop has been co-opted by country music. For me that's a good thing. I like that kind of music.

But on the flip side, there seems to be no room for what is considered traditional country. And that's a shame. I was watching the top 20 on GAC or CMT (can't remember which) this past weekend, and there was not one song that even resembled traditional country. Most of the songs would be in heavy rotation on MTV or VH1 a few years ago.

Right now, there's no room for rock in pop, and no room for traditional country in country. I don't know where it goes from here, but some think that there may be a split in country music, which makes sense to me.

Eric Church is taking hard rock Grammy winners Halestorm out on tour with him for a few dates. That pairing makes more sense to me the than Dwight Yoakam, who will be on the whole tour. Since we're talking about Halestorm and Carrie Underwood, a couple of songs they recorded are practically interchangeable.

Album Spotlight Whisky Myers: Early Morning Shakes

Led Zeppelin, early Aerosmith, Ted Nugent, ZZ Top. I can hear a little bit of all of those in Whiskey Myers new album Early Morning Shakes. But what I hear predominately is pure unadulterated Southern Rock. Skynyrd, the Allmans, Marshall Tucker, Molly Hatchet, etc.

Any song on this album would slide nicely into any classic rock format. But that's not to say it sounds dated. It doesn't. Early Morning Shakes sounds as current as anything you will hear.

Coming out of Tyler, Texas, Whiskey Myers cut their teeth on the Red Dirt/Texas Country music scene. And you can hear those country influences on the record, but this really a good old-fashioned, in-your-face, Southern Rock album. The best since the late '70's.

The album kicks off with what, in my opinion, is the weakest track, the title song "Early Morning Shakes". But then the whole thing takes off and never lets off the gas with the Zeppelinesque "Hard Row to Hoe".

Another highlight is the single "Home" (track 5). Straight up Southern Rock the way it was meant to be played. That leads in to the next two hard rocking tracks "Headstone" and "Where the Sun Don't Shine".

"Reckoning" (track 8) and the album closing "Colloquy" show a more introspective and mellower side of the band. Both are excellent.

If you were ever wondering what happened to good Southern Rock, it's alive and well and it's name is Whiskey Myers.