Showing posts with label Billy Squier. Show all posts
Showing posts with label Billy Squier. Show all posts

Friday, November 20, 2015

Retro Album Spotlights: Billy Squier

Yes, the plural in "spotlights" is intentional. I initially was going to do only Billy Squier's breakout album Don't Say No. But then I started listening to Emotions In Motion again.

Keep this is mind, at one point Def Leppard opened for Billy Squier. For context, that was Leppard's Pyromania tour.

Billy Squier himself has said that Don't Say No is the best album he's ever made. I prefer Emotions In Motion.

Don't Say No has the four monster songs: "In The Dark", "The Stroke", "My Kinda Lover", (those three open the album) and "Lonely Is The Night". Emotions In Motion had the never-forgettable "Everybody Wants You" and the lesser known "She's A Runner."

I'm not here to tell Mr. Squier that he's wrong, just giving my personal preference.

Listen to the first three songs of Don't Say No and you're hooked. "In The Dark" is a rock masterpiece. This is where Squier excels. As a songwriter of good songs. The we get "The Stroke", which incidentally is the first Billy Squier song I ever heard. And now one of the most sampled songs ever. Then it bleeds into "My Kinda Lover". Another rock classic.

"You Know What I Like" is a good rocker, but nothing special.

"Too Daze Gone" is the most underrated song on the record. It's bluesy, it's Stonesey. It's groovy.

"Lonely Is The Night" is the other big song.

"Whadda You Want From Me" is very Zeppleninesque with some Van Halen thrown in.

"Nobody Knows" is the clunker on Don't Say No. The falsetto is not appealing. The song itself is not good..

"I Need You" is bubblegum rock with big guitars. While not a bad song, it's nothing special.

The song 'Don't Say No" is not bad. The choice to fade into the first verse, however, was bad. The whole song seems disjointed.

Emotions In Motion starts out where Don't Say No left of with the iconic "Everybody Wants You".

Then things go off the rails a bit with the Rod Stewart inspired "Emotions In Motion" . I like things off the
rails. One of my favorite tracks on the record.

"Learn How to Live" is vintage Billy Squier in the verses and bridge, but the chorus is pedestrian.

"In Your Eyes" is a good ballad.

"Keep Me Satisfied" evokes boogie-woogie, blues inspired Aerosmith.

"It Keeps You Rockin'" is a straight up Billy Squier rocker. Nothing special, but not skip-worthy.

"One Good Woman" is one of those groovy rock songs that we all love (ok, maybe not all, but I do). Reminiscent of vintage Styx.

"She's A Runner" is what the quintessential 80's hard rock ballad aspired to be. Billy Squier wrote the book that 80's pop metal followed.

"Catch 22" is another song that you could hear Rod Stewart and/or the Faces recording. It's bluesy sultry rock at its best, replete with horns.

The album closes with "Listen to the Heartbeat", which is not a bad song, but it's time to restart the album at track one.


Thursday, November 6, 2014

Good Song, Bad Video: Billy Squier: Rock Me Tonite

This one should really be titled Decent Song, Career Killing Video.

The video will speak for itself, but I'll offer a little history here.

Billy Squier was well on his way to becoming a hard rock/pop metal superstar in the early 80's. After two iconic albums, Don't Say No and Emotions In Motion Squier had hits that have become classic rock staples like "The Stroke", "Lonely is the Night", "Everybody Wants You" and "My Kind of Lover". His next album Signs of Life came out in 1984 and Squier was ready to take the rock world by storm. And then the video happened.

In Squier's own words, "I was playing to half-houses. I went from 15,000 and 20,000 people a night to 10,000 people. Everything I’d worked for my whole life was crumbling, and I couldn’t stop it. How can a four-minute video do that?"

How can a four-minute video do that? Oh it's bad. It's really, really bad. But career-killing bad? I'll let you be the judge.



Don't cry for Bill Squier, he's made millions from being the most sampled artist by the hip hop industry.

This, recorded in 2009, shows that Squier still rocks. And this is also more along the lines of the video Capitol Records should have released in 1984.



Just to show those moves in the horrible video for for "Rock Me Tonite" are not out of character, watch this live recording from 1983 for "Everybody Wants You". Much cooler with a guitar in hand.