Album Spotlight: Jessica Meuse - Halfhearted

I've been sitting on this for a while. Why? Because, for the most part, it's a lot of the same song, thematically, over and over. And it's 15 songs long.

The theme? I'm better off without you since you treated me like garbage. The length? Nine to 11 is the sweet spot for me as far as album length, but since this was four years in the making...

I could easily dismiss Jessica Meuse's debut album Halfhearted on either of the aforementioned premises. But here's the thing: The songs are so damned good musically.

Halfhearted definitely leans Country. But not in the way one would expect. There are songs that would comfortably fit into the modern definition of Country Radio (though she has no chance, because she's a "she"). Then there are the songs that would nestle nicely into late 70s/early 80s country. That and the Southern Rock influence.

Jessica's voice is not soaring vocal gymnastics ala Carrie Underwood, but it suits the songs. Much like Stevie Nicks.

Probably not the best way to introduce an album that I really, really like. But despite what I said above, Jessica Meuse has put together a great album.

Halfhearted is diverse (and regular readers know how I love diversity), And here is the thing, I'm an album guy, and this album, you can put it on and listen to it start to finish and be satisfied. Does that sound like a ringing endorsement? Nope. But it is.

I like the album. Here are some songs. Judge for yourself.

Show Experience with Dorothy and Holly West

I went to see Dorothy on 3/9/2018 at the House of Blues in Dallas, TX in the Cambridge Room. Why is the name of the room important? Because there are two rooms at the Dallas House of Blues. The Cambridge Room is the smaller room with a capacity of 250. It was sold out.

This was part of Dorothy's Freedom Tour in which she headlined smaller venues and enlisted local artists from each city to open the show. That night's opener was local Dallas artist Holly West, more on her later.

The crowd was diverse, ranging from teenagers to people at least in their 50's. I fall much closer to the latter category. Being that it was at such a small venue, standing only general admission, there was not a bad place to be. The kids crowded the stage while the older folk hung back.

Holly West took the stage with her three piece band spitting fire with their version of blues rock. West was on bass and all the vocals with the accompaniment of drums and guitar. All three are excellent musicians. Holly's vocals were fantastic. The guitar player had some excellent slide guitar mixed in with his bluesy solos. The drummer. Let's talk about the drummer.

For some reason, he reminded me of Jack Black. He was putting on a show within a show. Throwing his stick in the air and catching it with every opportunity. Standing up between songs to incite the crowd to cheer. Using his foot for cymbal crashes. He was a joy to watch.

Seriously, Dorothy did a service to everyone by picking Holly West to open the show. Aside from the two deeper cut covers by Think Lizzy and Led Zeppelin that West did, I did not know a single song but was into it the entire time. Her EP Mokita is available on streaming services. Check her out if you like Dorothy.

I'm going to talk about Dorothy's music first before I talk about the show. I have been a fan since first hearing the debut album ROCKISDEAD, a swampy, bluesy, sultry hard rock album. I wrote about it here. Dorothy played a few songs from that album, but more than half were from her upcoming album, of which three songs have already been released. From what Dorothy played live, this new album is going to be more diverse and better than the debut. When I don't know the songs and they move me, there is something there.

Dorothy Martin commanded the stage with the grace of Stevie Nicks, the swagger of Robert Plant and the enthusiasm of Grace Potter. This was an old school rock show. No glitz and glam, just a band belting out one banger after another. And so much fun.

Martin looked like she was having fun, from her bouncing around to her between song banter. And she was in control, telling one person in the crowd to shut of the iPhone because the of the light and telling the bartenders to turn of the TVs at the bar because they were distracting her from the crowd. The crowd ate it up.

You always hear a record with great vocals and then when see them live, eh, what tricks did they play in the studio. Not so with Dorothy. Her vocals live are as good as on the record. I appreciate that.

Martin has also assembled a great band behind her. Two guitars, bass and drums. Theme of the night? Excellent musicians. I really enjoyed the guitar solos that you don't get as much anymore. There just aren't the shredders that used to be on every corner in the 80s. And the bass player was channeling his inner Juan Croucier (look it up kids), I'm sure he would have done spins if the stage were bigger.

Admittedly, I haven't been to as many rock shows lately as I have in the past, but this was one of the most fun and best one's I've ever been to. If you get a chance, go see Dorothy live, you won't be disappointed, unless, of course, you just don't like good music. Kidding. But if you like hard rock, they put on a great show.

Retro Album Spotlight: Stevie Nicks: Bella Donna

Stevie Nicks' first solo album Bella Donna was released in 1981, 36 years ago in July. I listened to it again recently and wanted to revisit how good it actually is and how the music landscape has changed so much in the past 35 years.

Bella Donna went platinum (one million album sales) within three months of its release and has sold over six million worldwide since its release. What different times we live in now.

Bella Donna also spawned four songs that hit the top 40 or better of the Billboard Hot 100 charts. Listening now, this album would be thrown into Americana, because it belongs nowhere else in today's musical spectrum. It was pop rock in 1981. And believe it or not, it's too country for country radio in 2017.

All the songs on the album were written or co-written by Nicks except for the Tom Petty duet "Stop Draggin' My Heart Around" (written by Petty and Michael Campbell) and seven of the 10 songs penned exclusively by Nicks.



Then there was the other duet on on the album with the iconic Don Henley, "Leather and Lace".



"After the Glitter Fades" was the fourth single released from Bella Donna and later covered by Glen Campbell. This is the vibe of most of the rest of the album, save "Edge of Seventeen" (see below) and I'm surprised it hasn't been covered more by country artists.



And finally, probably the most known song from Bella Donna, at least among people who listen to classic rock radio, "Edge of Seventeen". I could put the official video here, but this live version from 2011 is twelve minutes long and features long time Nicks guitarist Waddy Wachtel. Gotta give some love to the musicians.

Album Spotlight: Eliza Neals: Breaking and Entering

If I had 2015 to do all over again Eliza Neals' Breaking and Entering may have made one of my year end lists. Unfortunately, I didn't hear this album until a couple of days ago. That's the beauty of music, there is no expiration date on good. Whether it be 2015 or 1995 or 1965, good music is good music. And that's what Eliza Neals provides: good music.

Hailing from Detroit, Eliza Neals borrows heavily from the Mississippi delta and combines it with the upper midwest blues style with just a touch of rock. Neals has vocals reminiscent of Janis Joplin, Bonnie Raitt and Stevie Nicks. That combination makes for an enjoyable listen for those that like the blues but not too pure.

Listen to this, and tell me I'm not right.

Album Spotlight: Kate Vargas: Strangeclaw

Sometimes you hear a voice that is so unique that it just draws you in. Not because of soaring vocals or technical virtuosity, but because it has a quality that you won't find in any other singer. Such is the case with Kate Vargas.

Sometimes you hear an album that you can't define, but you just like it. One that weaves in and out of a variety of styles but stays true to the artist. That's what Strangeclaw is.

Kate Vargas' second album Strangeclaw is jazzy, torchy, trippy, hipster-ish, quirky, kitschy while not losing the southwestern roots that Kate came from. The New Mexico native, now residing in New York, has put together eight songs that take the listener on a journey, not just through the album, but sometimes within a song.

I'll be the first to admit that Strangeclaw will not be everyone's cup of tea. Some may not like Kate's unique vocals, but if you're a fan of John Hiatt or Stevie Nicks, there's something there for you. The instrumentation is simple and stripped down. Nothing big or bombastic, but not always subtle either.

As for me, I'll take unique and interesting over formulaic and stale anytime.

Here is "Bella Tell":

And an acoustic version of "Call Back the Dogs":

What I'm Loving Wednesday

So Sunday was something called International Women's Day. Whatever that is. I just used it as an excuse to dig into some of favorite female artists. This is pretty much just chicks that rock. And by no means all inclusive. There are so many fantastic women in rock.

And after saying that, I'm going to start out with a country song. Of course it has Pat Benatar, so it counts. Here is Benatar along with country powerhouse Martina McBride doing McBride's "Independence Day" on CMT's show Crossroads.



I love Stevie Nicks. Her voice anyway. Always have. Instantly recognizable and unique. This is a live performance from 2011 of her song "Edge of Seventeen." Still sounds and looks great.



Ann and Nancy Wilson of Heart were my first chicks that rock loves. So talented. Here they are playing Led Zeppelin's "Stairway to Heaven" with the surviving members of Zep in the audience. Notice how happy Jimmy Page is with this rendition.



Original Runaway, the lovely Lita Ford, is still bringing it with new music. I'm partial to this cover of Alice Cooper's "Only Women Bleed" which brings a much needed female voice to the song.



I'm hanging onto the theory that rock is not dead. At least as long as there is still young talent making rock music like 16 year old Gabbie Rae.



Listen to good music. Enjoy the music you like.

Working Women's Wednesday: Stevie Nicks

Whether with Fleetwood Mac, solo or dueting with the likes of Don Henley or Tom Petty, Stevie Nicks possesses one of the most unique and instantly recognizable voices in all of music. There's not anything of real substance I can add in words, so let's just revel in the greatness that is Stevie Nicks.

From 1976 performing the classic Rhiannon with Fleetwood Mac.



With Tom Petty and the Heartbreakers in 2006 with "Stop Dragging My Heart Around" from Stevie's first solo album Bella Donna, a record I still listen to today. Many good songs on that one from this one to "Edge of Seventeen" to the Don Henley duet "Leather and Lace" plus many more.


"Gold Dust Woman" from a 2011 concert in Chicago. Still has the voice and I love this extended version of the song.



Stevie Nicks on Amazon.

Fleetwood Mac on Amazon.

TheCheapSeats on Twitter.

Interesting Cover Songs: Gabbie Rae and Patrick Kennison

I had a conversation with a friend not too awful long ago regarding cover songs. We fairly well agreed that, with exceptions of course, most covers are not better than the original. Very few are even as good.

That being said, different and interesting covers get my attention. Not that they are better, just different. And interesting.

I stumbled upon 15-year old Gabbie Rae on YouTube doing some very interesting covers along with Patrick Kennison accompanying on guitar and backing vocals.  I don't know much about either other than they make some interesting music together, taking songs of different genres and putting their own spin on them.

Here is a very stripped down acoustic version of Ronnie James Dio's "Rainbow in the Dark":





And here is a cool version of Michael Jackson's "Billie Jean":


They have also done covers ranging from Iron Maiden to Stevie Nicks to Curtis Mayfield

12 (ish) Albums That Have Stayed With Me Over the Years

There's a thing going around on facebook right now, not real widespread from what I can tell, but it goes like this:

What 12 albums have stayed with you throughout the years? Not the best albums, not the most popular albums, but one's that have stuck with you.

I saw this and thought it would be hard to come up with 12 because I like to pick and choose my tracks. Then when I started thinking about the albums, 12 wasn't enough. But I'm gonna play and keep it at 12ish.

In no particular order:

1. "Appetite for Destruction" - Guns 'N Roses
Easy choice here. An iconic album of the times. I first heard Paradise City on a trip to the Metroplex on ZRock. Bought the cassette before I left. Made everyone I knew listen to it. The responses were mostly "Meh." Three or four months later, Sweet Child O' Mine was released as a single. Suddenly everyone owned a copy of Appetite. I can still listen to it in its entirety to this day. One of the few albums that I can.

2. "Operation: Mindcrime" - Queensryche
A concept album in the vein of "The Wall" and  "Tommy". By far the best Queensryche ever produced. "Empire" was more commercially successful, but "Mindcrime" was by far the better album. Saw Queensryche on the Empire headlining tour in which they performed the "Mindcrime" album in its entirety. Great listen from start to finish.

3. "Eagles Live" - Eagles
I really don't think it's fair to include any greatest hits or compilation albums on this list, but with this one, I can't help it. It's just that good.

4. "Moving Pictures" and "Rush" - Rush
This is where the "ish" comes in. When I first heard Tom Sawyer, I had to get the album it was from. It was like nothing I had heard before. So I got "Moving Pictures". It also has Red Barchetta, YYZ and Limelight. How can you go wrong with that?
After hearing that, I immediately delved into Rush, and went back to the beginning, which was the self-titled first album. "Rush" included the iconic song Working Man, which led them to getting signed to a major label.

5. "Bat Out of Hell" - Meatloaf
"I'm gonna hit the highway like a battering ram on a silver-black phantom bike"
The opening lyric to Bat Out of Hell. How can you not like that? Not necessarily a concept album, it does tell a story. And sonically, it was way ahead of its time.

6. "High 'n' Dry" - Def Leppard
Okay, I could have easily put "Pyromania" here. "Pyromania" is a great album. But "High 'n' Dry" is more raw and has better songs. Lady Strange and Bringin' On the Heartbreak highlight the album.

7. "Skid Row" -Skid Row
The fist Skid Row album is pure unadulterated glam without apologies. And it's fantastic. 18 and Life, Youth Gone Wild, Big Guns, Sweet Little Sister, I Remember You, etc. Good stuff. After the first album, they kind of lost me. But that first one.........sweet.

9. "Pieces of Eight" - Styx
I know, "Paradise Theater" is more popular. But This album rocked. It included the classics like Renegade and Blue Collar Man, but also had the exquisite album tracks Queen of Spades and Great White Hope.

10. "Mean Streak" - Y&T
No, these guys are not Summertime Girls.Yes, that was their biggest hit, but not in all representative of what they were about. Dave Meniketti along with Cinderella's Tom Keifer are probably the best combo lead vocalist/lead guitarist of the generation. Midnight in Tokyo is one of the best songs never heard. The entire album rocks.

11. "Bella Donna" - Stevie Nicks
Stevie was always good in Fleetwood Mac. A lot of people may beat me up for including this one while excluding Fleetwood Mac's "Rumors". I couldn't argue, but this is all Stevie. From the Edge of Seventeen to the duets with Don Henley (Leather and Lace) and Tom Petty (Stop Dragging My Heart Around) this album is a no skip listen.


12. "Faster Pussycat" - Fatster Pussycat
Could be dismissed as 80's L.A. sleaze/glam rock. But really they were much more than that. The songs were actually good and really blues based. They went off the rails in later albums, but the debut from them is still very listenable after all these years. Some of the stuff from the '80's glam rock scene sound dated. This album holds up.

Honorable Mentions
I have ended the list at 12 as per the original stipulations, but there are more I feel deserve mention.

"Allied Forces" - Triumph
"Powerslave" - Iron Maiden
The first two Boston albums

Those are the one's I grew up with that I still listen to. I may next tackle the current albums I'm enthralled with.