Sunday, May 1, 2016

Useless Ranking Featuring Cartoon Theme Songs

Here are the best covers of cartoon theme songs, according to me.

5. Josie and the Pussycats - Juliana Hatfield and Tanya Donelly
Sure they made a movie or something out of this cartoon. But the theme song from that is not available. But this is. Great song.




4. Scooby Doo, Where Are You? - Matthew Sweet
I honestly thought this would end up higher, but there are too many good candidates.



3. Sugar Sugar (The Archies) - Mary Lou Lord w/ Semisonic
Had to find a cover of this to include it. The original was great. This might be better.



2. Hong Kong Phooey - Sublime
This was actually a really cool original with Scatman Crothers as the original Henry. Sublime took it to another level.




1. The Tra La La Song (Banana Splits) - Liz Phair
This may be the best cartoon theme song of all time. Liz Phair just made it cooler.
Although, this one may not be fair since the Banana Splits wasn't totally a cartoon. But it's my list.

Wednesday, April 20, 2016

Album Spotlight: Lita Ford: Time Capsule

So Lita Ford dug up some old songs from the 80's  that featured Robin Zander, Rick Nielsen, Gene
Simmons, Dave Navarro, Billy Sheehan, Bruce Kulick and Jeff Scott Soto.

Then Lita went and put them all together and released an album.

The results are magical. At least for those of us that love 80's hard rock.

Time Capsule is raw. It's unadulterated. It rocks. And above all, it's good.

While Lita has never had the pipes to create awe-inspiring vocals like Ann Wilson or Lzzy Hale, or the shredding ability of Eddie Van Halen or Randy Rhoads, her combination as a singer/guitarist/songwriter puts her in the realm of hard rock royalty.

It's just a shame these songs never saw the light when it might have mattered.

Here are couple of tracks from Time Capsule.




Saturday, March 26, 2016

Aria to Hell

So "Got Talent Espana" apparently really does have talent. This is Cristina Ramos who goes from an Aria to "Highway to Hell" seamlessly.

Enjoy.


Saturday, March 5, 2016

Album Spotlight: The Struts: Everybody Wants

At it's core, music is supposed to make you feel something. Anything. That doesn't mean it has to make some great, profound statement that makes you introspective. Sometimes music can just be fun and make you feel happy. Such is the music on The Struts new album Everybody Wants.

It's fun. It's poppy. It's real instruments. It's catchy. It's campy at times. And did I mention, it's fun?

Everybody Wants is an amalgam of 70's glam and late 80's/early 90's guitar driven pop. For a more specific reference, think The Sweet meets INXS.

Here is "Kiss This" from Everybody Wants:


Thursday, February 25, 2016

The Struts: New Single: Dirty Sexy Money

Glam.

That's what The Struts are. And unapologetically so. Think Queen meets the Sweet. And yeah, they're British.

Here's the audio for the new single "Dirty Sexy Money".


Monday, February 22, 2016

Album Spotlight: Wynonna and The Big Noise

Forget everything you know about Wynonna Judd. The Judds. Her subsequent solo albums. This is Wynonna & The Big Noise.

In my opinion this is the best record Wynonna has put out, ever.

Is it country? Not really, but there are country undertones throughout.

Is it rock? Not much. But it does, in the "This rocks" way.

Is it blues? Somewhat. If you expand your definition of blues.

Is it Americana? I guess. Mostly because this term lends itself to interpretation.

Is it good? Most definitely.

Kudos to Wynonna for making this record. I guess knowing that whatever she put out would not make a dent in country radio, given its current state, she put out an unabashedly Wynonna album. Wynonna & The Big Noise is raw, bluesy, country, rockin', and real.

Wynonna has always had a powerful voice. On Wynonna & The Big Noise, the full range of her vocal ability can be heard. And felt.

If you are nostalgic for the Judds, this is no the record for you. It's a new Wynonna, back and better than ever.


Saturday, February 13, 2016

Retro Album Spotlight: Hanoi Rocks: Two Steps From the Move

I'll be honest, I had never heard of Hanoi Rocks until Motley Crue was involved. In a negative way.
Nicholas "Razzle" Dingley, Hanoi Rocks' drummer was killed in a car accident in which Motley Crue singer Vince Neil was the driver.

1984. That's when Two Steps From The Move was released. And that may have been the genesis of my love for albums and not songs.

Two Steps From The Move starts off with a pretty killer cover of Creedence Clearwater Revival's "Up Around The Bend".




And you know I like records you can listen to with little or no skips.  This is one of those albums. If Steel Panther does not cite Hanoi Rocks as an influence, I would be disappointed as "High School" is right up their alley.

"I Cant' Get It" is a knock on excess, even though 80s rock is  a case study in excess.




That is followed by "Underwater World". If Guns 'n Roses claims not to be influenced by this, they are lying.




Before power ballads were a thing, Hanoi Rocks was already doing them. "Don't You Ever Leave Me" is a perfect example.




And probably my favorite Hanoi Rocks song: " Million Miles Away".



Last video. "Boulevard of Broken Dreams".  There are three more songs on the record. If you've made it this far, then I don't need to go on.

This Is What It Has Become

I have done some idiotic stuff on Twitter. I'll own it. But I have never tweeted anything misogynistic.

This blog features mostly female artists, Why? Because I prefer a female voice. Especially a strong one.

I recently encountered the mindset of a woman on Twitter and in sports. I can never fathom how hard it must be to deal with.

I replied to something a female in sports tweeted. And it had nothing to do with sports. She replied with something that implied I was misogynistic. I can't blame her. This is the culture that has been created.

I don't apologize for my tweet. It was sincere. I do apologize for how it made her feel. And I'm sorry that it has come to this.

And I hate everyone that has created this culture.

Friday, February 12, 2016

New Video: Michael Monroe

Michael Monroe has released a new video from his latest album Blackout States for the song "Goin' Down With The Ship".

For anyone unfamiliar with Monroe, he was the vocalist/frontman for the Finnish glam band Hanoi Rocks form the early 80s. They were the predecessors to and influencers of many of the 80s glam bands like Motley Crue, RATT, etc.

The career of the band Hanoi Rocks was cut short due the death of drummer Nicholas "Razzle" Dingley in 1985.

Monroe never stopped making music though. Blackout States was released in October of last year.





And here is last video from Hanoi Rocks' album Two Steps From the Move for the song "Boulevard of Broken Dreams".


Tuesday, February 2, 2016

Q & A With Brandy Zdan

Brandy Zdan's self-titled debut album was one of my favorite records of 2015. The current Nashville residing, Canadian born Zdan recently took the time to answer a few questions.

We discussed her disdain for cymbals, love of toques, thrifting and some music stuff.

First of all, thank you for taking the time to do this.
My pleasure.

On your album, Brandy Zdan, I read that there are only 31 cymbal crashes on the entire record. Is that true? And if it is, was that a conscious decision, or just something that happened organically?
That is true. My friends, The Somebody’s Darling band sent me a text one night telling me they counted the cymbal when they played the album in the van. In fact, you don’t hear a cymbal until song 5 and most of the cymbals are in only two songs, "Only the Sad Songs" and "Courtship of Wild Horses".
And yes, this is a conscious decision. I will openly admit that I dislike cymbals, like REALLY dislike them. Most drummers don’t know how to use them properly. In fact, I will tell my drummers to fight the instinct to keep time on a high hat, or elsewhere.
I LOVE the simplicity of a great sounding snare and kick, as you hear on the first half of the album.


I’m a washed-up, hack bass player. But when I was playing, my influences weren’t necessarily other bass players. I got a lot of inspiration from killer rhythm guitarists. Who or what inspires you that might surprise some people?
I’m on a constant search for things that get me excited musically. I am obsessed with the steel guitar and guitar in general, … I listen to a lot of instrumental stuff like Daniel Lanois’ solo material & Bill Frisell, and I just recently discovered a band called A Winged Victory for the Sullen, which is cinematic lush strings and piano and guitar. It makes my heart feel crazy things.

How many toque’s do you own and how often do get to utilize them living in Nashville?
I own too many. I just got a fake wolf fur toque that is now my favorite. I don’t use them very often, but I like to save on heat bills so you would catch me at home wearing one for sure in the winter.

Let’s play a quick game of “Overrated, Underrated or Properly Rated” using Canadian artists. Feel free to expound upon any answer.

Rush - Properly Rated, but way to busy musically for me.

Celine Dion - Properly Rated but you wouldn’t find me putting on a record of hers.

Loverboy - What are their hits? Pass. haha.

Justin Bieber - Pass. I’ve never even heard a song of his.

Bryan Adams - Properly Rated. I love the F out of him. I remember making a lip sync video in all demin when I was 10 singing “Everything I do, I do it for you”. I loved that song. That song was from the Robin Hood flick with Kevin Costner and funny enough I got to sing backups on Kevin’s most recent record. Full circle.

Outside of music, what is Brandy Zdan passionate about?
I LOVE thrifting. SO much. You’ll catch me doing that in just about every town I travel to.
I also do a lot of leatherwork, I make things out of deerskin. I enjoy working with my hands in that way. I also love the outdoors. I don’t get out camping near enough since I’ve been gone from Canada but I always feel the pull to get out of the city.


From Canada to Austin to Nashville. Not the normal route, but how did it work for you?
I had been touring the USA with my old band Twilight Hotel and we were noticing the reception was a lot better than in our home country. We had a list of cities that we were thinking of moving to and Austin won out. We moved onto a commune in south Austin when we first moved there. It was all the hippie Austin things you would expect it to be. I have fond memories of that time.
After that band broke up and I spent two years with The Trishas, and as that was ending I was moving full speed ahead with the solo project. I knew I wasn’t gonna do it in Austin. Nashville just made sense. I’ve been spending time there since 2007 when I made the second Twilight Hotel record there. It was the right move for sure. I won’t be there forever, but for now, I love the community I’m becoming a part of and how the town makes me feel like less of an alien.


I’ve been finding some really cool music coming out of Nashville right now. Who are some artists that you really like in your adopted home?
I love Lilly Hiatt and Angel Snow. They are doing some of the coolest female singer/songwriter stuff. I also love William Tyler, Joe Pisapia and Colin Linden.

I’ve described the music on your album as Grace Potter meets early Sheryl Crow with goth undertones. And in my mind, those are all positive comparisons. Is that fair, accurate and/or way off base?
I hear those a lot. It’s fair I think. I don’t take too much stock in comparisions. I just let people say what they want try to let it not affect me…
I like to live in the creative space where I’m not defining myself. It’s the only way I can really be myself.


What is your gear set up? Guitar, amp, effects, etc? And how much does it differ from studio to stage?
I love this question.
I play a custom Gamble Guitar Works telecaster.
I was never a tele girl until a couple years ago.
I have flat wound 12’s on it which gives it a wide thick tone and play that through a 79 Princeton Reverb. This is my favorite combo right now.
My pedal board is simple but super important.
I love my Strymon El Capistan Tape Echo as well as the Eventide Space Rever pedal.
I also, have a Malekko Tremelo and Black Stone Overdrive pedal.
Sometimes I run my vocals through a Memory Man deluxe.
This is the same rig I use in the studio except I use a bunch of different guitars. It all depends on what the song calls for.
I’m always on the search for new exciting ways to fuck with my tone.
I probably derive the most joy out of new little tone discoveries.


Do you write alone, or do you collaborate on some stuff? And which do you prefer?
The last album I wrote completely by myself. I like co-writing but I tend to get songs for others and not for myself. They are both fine. It’s always changing.

Stranded on a deserted island, what three albums do you want with you?
The Beatles- White Album
Blake Mills- Break Mirrors
Daniel Lanois- Belladonna
My answer as of Jan. 28. It changes daily.


The music industry is at a crossroads right now. It has to figure out how to deal with streaming services, the decline of physical sales and the fact that mainstream radio only plays crap (ok, that’s just my opinion). It is easier to get music out to the dumb masses right now, but harder to get noticed. How do you navigate in this world?
The only way to succeed, in my eyes, at least in my genre world, is to find your unique voice, nurture that, and put the best version of yourself forward. If you cater to anyone or sacrifice the artistry, people can see through that. You just need to get good enough so people won’t ignore you. I’m not worried about the industry, musicians have always been but the music industry is just a blip in time. It’ll all get figured out.
I see the connection one makes to music listeners at shows, I see the organic build. THAT will never go away.

The floor is yours. What do you want everyone to know about Brandy Zdan going forward?
It's only the beginning.

For more from Brandy Zdan:
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Soundcloud