In October of 2017 it will be 40 years since Meat Loaf's debut album Bat Out Of Hell was released.
At that time, I was nine years old, so when it was initially released it had no effect on me or my musical tastes. Several years later, when I discovered what I really liked in music and started getting into hard rock, the revelation of Bat Out Of Hell was a game-changer. Not that it changed my taste in music, but that it changed how rock music could be viewed.
Was Bat Out Of Hell a rock album or a rock opera? Or did/does it even matter? Was it a concept album or a collection of songs that told stories? Was it both? Was it an epic opus or a story of teenage sexual repression and exploration?
It was probably parts of all of that. Or none. But what it was, was something no one had ever heard before. What songwriter Jim Steinman and singer Me)at Loaf (Michael Aday) did on that album broke ground in the rock scene that is still evident today.
I'm sure a lot of people re-discovered or found out for the first time about Bat Out Of Hell when Bat Out Of Hell II: Back Into Hell came out in 1993 with the big hit "I'd Do Anything For Love (But I Won't Do That), but even that was almost 25 years ago.
Meat Loaf and Steinman had a hell of a time selling this album 40 years ago in 1977. They'd have no chance now, although they could just record it and see what happens in 2017.
If you are vaguely familiar with Bat Out Of Hell, I would implore you to listen to the whole album. It may not be your thing, but there is no denying that it is one of the most unique pieces of American music in the past century.